Monday Morning Musings:


It Was a Week (in February)
It was a week of love and death,
of birth and yearning,
Winter holding tight, and Spring burning
bright on birds and flowers returning.


It was a week of wine and cheese
and heart-shaped things,
feathered clouds, like wings,
drumming rain, wind of violin strings.




It was a week of hawks and jays
of vulture flight
and shorter nights,
of elongated shadows in slanted light.
It was a week when war continued
and people died and lied, while some tried
to guide with firm stride
through the upside-down, and slippery slide–

of every week. But this week was not a love poem,
or maybe it was, this week of burning, turning, yearning. Or could be,
as winding like the river to the sea,
it breaks free. Maybe. If. Could be.

This year spring is coming very early. Our crocuses are blooming, and our daffodils are pushing up through the ground. Some places have daffodils in bloom already. We typically have lots of daffodils in bloom around Passover/Easter, unless it is a year when the holidays are late in April. But we still have days of wintry weather. I turned the heat off and turned it back on this week.
We celebrated Valentine’s with a wine and cheese virtual event from Tria in Philadelphia. We picked up the materials in the afternoon for that night’s event.




My husband’s birthday was Saturday. I made him a cheesecake, and we had food from a favorite Indian restaurant (and leftovers the next night!). I didn’t get a photo of his chicken dish.




On Sunday, we went to the Wilma Theater to see Kiss by Guillermo Calderón. It was the final live performance, but the play is streaming now. It is a powerful, moving, funny, shocking, provocative play. I just looked at my husband and said “wow” when it was over. You can read more here and also purchase a ticket for streaming here. We took our usual pre-theater walk.






We also watched the movie, Nanny (Amazon), that like Kiss, dealt with cultural misunderstandings, but also cultural displacement. It’s classified as horror, but it’s psychological horror with folklore. Anna Diop is excellent as the Senegalese woman working as a nanny in New York while saving money to bring her young son to the US.