Tag Archives: Current Events

They’re Still Here

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Benjamin Waterhouse Hawkins, Cretaceous Life of New Jersey, 1877, Princeton University (I’m amused by the disclaimer that the painting is not an accurate depiction of dinosaurs.)

They’re Still Here

In this marvelous country, dinosaurs hunt
the weak and dispensable—well, the prisons are full,
and there’s cash to be made.
Here, sign the contract.

In this marvelous country, mammoth buildings
line the ocean, displaying themselves—so lively!
They flash their décolletage glass—so desirable!
But you must pay for the pleasure of their company.
Verify your credentials. Here’s your key.

In this marvelous country, frogs jump
and some still look to see, some still draw, read books,
eat dinners together and converse.
This truly is an amazing place—
except for the dinosaurs

bent on destruction
with tiny brains and stomping feet–
we thought they were gone, extinct,
but monsters only hide in the shadows,
they never truly go away.

Not my usual sort of thing, but there’s no arguing with Oracles. From Jane’s random words from a couple days ago.

Now Here We Are

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Edvard Munch, Anxiety

Now Here We Are

“A world without the option of abating an ill-conceived life before it has begun is a world that dooms millions to Victor Frankenstein’s fate. What a pause-giving thought: that a girl not yet nineteen, who lived two centuries ago, has a finer moral compass than the Supreme Court of the world’s largest twenty-first-century democracy.”
—Maria Popova, The Maginalian

Now here we are
in the disturbed direction of the present
where untruthful tongues sway
and inculcate to overtake

in slippery steps of hateful rhetoric
organized to remake, remove,
and subjugate.

We are amuck in muck–
and we have not reached the end.
Grandmothers who fought fascists,
with silver-haired grief vow to fight again

because–not to be overly dramatic—
but many will die. Their greed’s insatiable,
their pockets are deep,
even if their logic is faulty and incomplete.

(Please may I have a pardon?)

And will our democratic paper
prove strong enough
to cover and crumble their despotic rocks?

Jane’s generated Random Words (another Oracle) once again forced me to write about current events. The January 6 Committee hearings will resume sometime in July. Meanwhile, the reactionary majority of our Supreme Court is sending us backwards in time. If only we had the votes to impeach this unqualified, lying, possibly criminal group who have made the Court a joke.

Shattered

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Shattered

Sometimes it takes an earthquake
to turn the world upside down,
other times,
a chain of ragged men,
wed to false nostalgia–
the obedient true believers and the deranged
crack the engines of progress, flatten tires,
apply the brakes

till the cracks widen and inequality grows,
it is simple arithmetic,

the slippery slope of beneficial deals,
the ahistorical fiction fed to a leader
and his brethren,
unfulfilled dreams—

there is no utopia.

In the aftermath, the masks slip
the enchantment vanishes,
the prince is a cockeyed monster, not dashing,
the wishes are merely that—
the men are still ragged, still waiting,
their countries shattered

ancient wishes spray the sky like clouds

and vanish.

I don’t typically write such political poems, but the random words that Jane generated—Oracle II—demanded it.

All the Echoed Whys

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Vincent van Gogh, “Starry Night Over the Rhone,” [Public domain], via Wikimedia Commons

All delirious and bitter,
whispers in blue-shadow light—
“needs must,” she says,
the TV on, urging their mad dreams
of what if—

But after,
when the lathered red lust is over,
and death chants crushed,
who recalls us?
Through mist, I watch the moon—sleep, sing, shine.
And as the fiddler sprays a thousand diamonds into the sky
they soar, time-aching with echoed whys.

My poem from the Magnetic Poetry Oracle. This time, she really gave me everything (except echo). She obviously knows what’s going on in the world.

There Might Be Ghosts

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Monday Morning Musings:

There might be ghosts in this story–
a tale of family secrets, a haunted house,
nightmares and night terrors

(what if they came for you?)
the spirits, specters, demons, and devils–
a frisson of fear, a shiver and a quiver

as you hear the tale,
it’s not real (you tell yourself)
these things don’t exist

(unless they come for you)
the secret police, the armed agents
to detain, to torture, to turn your life

upside-down, the world we live in now,
where we see the light reflected and wonder how
it is here and there, and wanders

Puddle Reflection, Upside-down World. ©️Merril D. Smith, October 2020

from shore to distant horizon
between what we see
and what we think we see

Autumn refracted and reflected through the mist. Red Bank Battlefield,.©️Merril D. Smith October 2020

in the fog, all is a blur,
sound is distorted, it echoes,
a soft purr of distant cars, the honk of a goose

Heron in the misty ripples of the Delaware River. Red Bank Battlefield. ©️Merril D. Smith, 2020

here birds stop, then soar,
but I stand, rooted like the trees,
in the midst of autumn splendor

(I like to think)
still rising, still growing,
knowing that roots connect underground–

so be it. And healthy cells grow, too,
though the malignant tumors stand out,
they are not the entire body (politic),

Still, I sigh, watch the birds fly,
read the horror tales, feel the feels,
they’re not as scary as what is real–

the ghosts of 215,000, rising, plus,
and thus, what’s to come with the scary clown,
while the Constitution is whittled down

we ache, body and soul,
as the fluff-headed victors sound the death knell
to tell of democracy’s demise—yet the story to tell

is that the moon still hums, the stars still sing,
and scatter the light brightening
all, it radiates, falls

in ripples, like the stone I cast
into the river, watch the ripples pass
flowing on, the present an illusion, it doesn’t last,

past to future, goes, in ridges and waves
like light, with colors we won’t ever see,
an essence remaining, like a ghost of ancestors, or you, or me,

the whispers of earth, the songs of the sea.

Delaware River at Red Bank Battlefield. Autumn Splendor. ©️Merril D. Smith, October 2020

Merril’s Movie/Theater/Book Club:
We watched a live-streamed production this week, STATE VS. NATASHA BENINA, which you probably won’t be able to access, but if you do get a chance, it’s well-worth it. I wondered how a production done live on Zoom would be (the audience was muted, and I turned off my camera, as I didn’t want people to see me in pjs in our living room). The actress was so good, portraying a Russian teen, who was raised in an orphanage, and now is accused of a crime. The audience is judge and jury, and votes at the end, but that serves more as a lead-in to discussion.

We were going to go out to a winery in the late afternoon yesterday, but the weather was not very nice, so we cancelled. I made a dinner, similar to one we might have had after Philadelphia theater dates, and we watched a filmed play, which is now on Amazon Prime. What the Constitution Means to Me is Heidi Schreck’s award-winning play, and it is excellent. I have heard pieces of it on the radio, as she discussed how she paid for her college education by giving speeches as a teen on the Constitution, but the entire play is really wonderful, as she weaves her personal history, her family’s history of domestic violence, women’s rights, and other issues into the narrative.

We also watched the new version of Rebecca on Netflix. We both enjoyed it. I like Lily James, though she seems rather more attractive and charming than the book character, and Kristin Scott Thomas is very good as Mrs. Danvers. From what I remember, this version does not have the overall menacing, Gothic feel of the Hitchcock movie or the book. I think it’s better to take it as it is, and not compare it to either.

We’re also started watching Borgen on Netflix, a Danish political drama. I like it, though it took a couple of episodes for me to get into it (and to understand the Danish political system).

And I finished The Year of Witching, and I’m almost finished with Home Before Dark. Horror reading—not nearly as scary as reality.

Up and Down

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© 2020 Frank J. Tassone

 

We stand on a precipice, nation and world. Fissured by plague and threats to democracy, we are faltering, close to tumbling into an abyss. Is this the beginning of the end? Or merely a ripple in the waves of time? I leave the angry and weary voices to walk, looking for beauty in the bright colors around me. A chipmunk scurries by. Deer shyly graze, turkeys strut through the long grass, and blackbirds give a trilling chink as they fly overhead.

I watch the sun rising over the river, making it sparkle. It know it’s physics, but I can also see the magic. We need both.

 

bare branches turn green,

brown leaves fall into river–

past floats to future

 

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©️Merril D. Smith 2020

A Haibun for Colleen’s Tanka Tuesday Haibun prompt, using Frank Tassone’s photo at the top for inspiration, and my photo at the end.

 

 

 

Soar, Crash, Burn, Rise

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Monday Morning Musings:

Once my sister and I were chicks,

we sucked honeysuckle from vines,

and danced with bees on hot summer days.

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Wild honeysuckle

Then I became many birds. . .

 

a robin, who sings in morning

a mother goose, swimming with her mate

telling stories to her children

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and teaching them to swim and fly.

 

I became a heron,

standing at the water’s edge

as the frogs jump and ripples

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Frog ripples in the upside down world.

flow in expanding circles

 

like raptors in the sky,

on a quest,

for sustenance–

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we all fly this path,

 

ignoring the owl’s night warning–

danger is coming, danger is here!

We burn

 

and hope like the phoenix, we’ll rise again.

 

So, I become the golden peacock, a light-seeker,

even as my many eyes cry for the lost,

I fly to worlds only imagined. . .

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imagine them now–

 

and listen

for my star songs

I give them to you–

 

reach high,

 

hold them near your heart,

feel them flutter

with life.

 

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Reaching

Like most people I’m heartsore and weary. Since November 2016, the majority of Americans have been in shock, but the situation in our country, and in the world, continues to deteriorate. I know I’m fortunate to have a home, a loving husband, daughters, sisters, and friends, and food to eat. I have places where I can walk without fear. But, I’m worn from taking care of my mom, worn from her dying, worn my cat dying, of so many people dying. . .while the lies and the lack of leadership here have led to more deaths. I don’t know how to express all this. There are others who can say it better, but I write in poetry. So this was today, my musing. (Some of the photos come from this week, and some are older photos.)

 

On an entirely different note because we all need escapes, Merril’s Movie Club:  The Vast of Night, a new movie on Amazon is a lot of fun. We ordered takeout Saturday night and had a movie night. It’s sort of a retro sci-fi movie that pays homage to The Twilight Zone and old sci-fi movies. One review I read said something about how you’ve seen the story lots of times before, but it’s the way it’s told. We both enjoyed it a lot.

We also watched the show Undone on Amazon, and even though I’m not normally a fan of animated shows, this is such a Merril show. I learned that this type of animation is called rotoscoping. The show is funny, profound, weird, moving, and deals with moving through time and space, mental illness, deaf culture, indigenous cultures, family. . .each episode is less than half an hour.

 

 

 

 

 

Cabarets and Conviviality

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Monday Morning Musings:

“Life is a cabaret, old chum

Come to the Cabaret!”

–John Kander and Fred Ebb, “Cabaret,” from Cabaret

 

“Which of all my important nothings shall I tell you first?”

–Jane Austen, Letter to her sister Cassandra, June 15, 1808

 

On a summery autumn day,

we left the sunlight

to enter the smoky den–

(the Cabaret, old friend)

Germany in the 1930s

but goose steppers are looming

the winds of war are moving

soon the guns will be booming

but for now, there is consuming

beer and goods,

here in the night,

the women are beautiful

the men are beautiful

they slink and glide

in barely-there wear

the Emcee, in heels and gowns

feather boa and garters,

looming

grooming the audience

flirting and diverting

we’re there, but here

then, but now

I’m surprised–

though why–

startled at my own emotion reaction

because it’s no longer an abstraction,

“Tomorrow Belongs to Me”

and Nazi insignia–

my throat constricts,

the body knows what the mind refuses to accept

(more goose steps)

I hear “some very fine people” gather

drivel and blather

echoes of then and now

the need to fight and disavow

what do politics have to do with us

the characters ask

We’re Germans,

(We’re Americans)

that can’t happen here,

our rights will never disappear

people standing tall and proud

arms held straight in devoted salute

They worship him

(no matter what he says)

small steps with profound consequences

(build a wall and many fences)

the slippery slope

and where’s the rope to pull us back

to ring the warning bell

to tell us now that all is well

So, what would you do

My brave young friend?

Would you pay the price?

What would you do?

What should we do?

What will you do?

 

 

We walk and talk

a wonderful production

the set well-designed,

the orchestra well-tuned and engaging

the voices delightful

the direction, insightful

altogether, quite a show

but—

(rightfully so)

a little too close to current events

(Maybe this time)

we’ll be lucky

maybe this time

he’ll go away

 

We wander some more

through old city streets

encounter wedding parties

one right after the other

brides, grooms, sisters, brothers

“the wedding stalker,” my husband says,

but it makes me happy to see love and joy

(where some want only to destroy)

affirmations of love and life

after the violence, hate, killing, and strife

 

We drink coffee

stroll across the cobblestones

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where men met to create a nation

to establish here a firm foundation

(remember the ladies, Abigail said)

but no, they simply went ahead

We’ve come a long way, baby

but still and all–

life, liberty, and the pursuit of happiness

flawed men with lofty ideals

feet of clay

and yet they found a way

it’s still the best we have

pledges made then and now

pledges these couples make in wedding vows

to love and cherish

to pursue life and happiness together

to do their best

we must do our best

(to join together)

 

After the play, we join our friends

friends of years

through love and tears

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kindred spirits

saying farewell to one couple’s house

not their first

but one where babies were born and nursed

here a family gathered

here we’ve shared many meals

often, like tonight Chinese food

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viewed one way

something we’ve done before

but there’s always something new and something old

moments to cherish and hold

close here to heart and mind

to bring out and remember

should we ever find the need to,

we say farewell to the house

but not the friendship,

remember that time, we say?

That day?

And then?

Remember when?

“What do you talk about? one friend’s daughter asked.

How do you describe the talk of old friends?

We talk of all our important nothings

and then we talk some more

of children, homes, work, and retirement

of travel, plays, movies, and books

of bats in our houses

and grandchildren in our beds

of catching mice

and stalking cats

of coffee cups and chocolate cake

of food and wine

and all the time

of then

and now

and all things fine

(and some things not so)

until finally it’s time to go.

We part with hugs effusive

despite the hour

and as the moon peeks from her cloudy bower

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we part–

Auf Wiedersehen,

but not goodbye

À bientôt

Enjoy life’s show–

it may be a cabaret

but if so, the set changes every day

and yet love, the light, true friends remain

and all our important nothings

in turns out

are really something

 

 

 

 

 

 

 

Angels and Magic: Magnetic Poetry

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Walters Art Museum [Public domain, CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)%5D, via Wikimedia Commons

 

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There are fools surrounding a god

of smoke & poison

remember angel voices caramel breath linger long,

listen–

“it is I,

time to wake”

embrace this desire & live no prisoner

fever haunted

laugh open our secret magic

never let peace go

 

 

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in warm night

a marble boy is born

the star bleeds

delicious colors

and will heal him

it is salt-rhythm poetry

glass and fire

for a wild heart

 

Saturday Magnetic Poetry. The Oracle decided to go with some magical realism, or surrealism, or perhaps it’s time for Angels in America (again).  The Oracle is cryptic.