Nighthawk Again

Edward Hopper, Nighthawks, 1942

Now what?

As Julia shook herself from those bleak memories of occupied Paris, she considered what she knew. Not much. Maybe it had been a crazy idea to return to France, but there was no paper trail—only memories to guide her.

Think. What is crucial to finding the way? Is this? “There is no beginning or end to the story—time circles,” an old woman with jade green eyes in a war-weathered face had told her. She was one of thousands of refugees streaming back into post-war Paris.

Julia sighs. What is she missing? She needs the one puzzle piece that will let her see the entire picture. And somehow Paul, and her relationship with him is the key.

If there is no beginning or end, she needs to work from the middle. She needs to become Night Hawk again.

Perhaps this one doesn’t work as flash fiction, but. . .more on my non-linear make-it-up-as-I-go spy story. This is for Prosery on dVerse, where I’m hosting today using the line: “Crucial to finding the way is this: there is no beginning or end.”
From Jo Harjo’s “A Map to the Next World.”

Consequences from Truths

He is quick,

(slight scruffy boy)

but she is quicker,

grabbing his arm

(so thin),

his hand clutches an apple

from her market stand.

Flutters in her womb–

quickening. Life.

(He could be my son.)

She gives him bread,

more apples . . .

lets him go.

 

1024px-Louise_Moillon_-_Market_Scene_with_a_Pick-pocket_-_WGA16072

Louise Moillon, “Market Scene with a Pick-pocket,” [Public domain], via Wikimedia Commons

 

A quadrille for dVerse, where de Jackson (aka WhimsyGizmo) has asked us to use the word “quick.”

 

Horizons: NaPoWriMo, Day 5

This pantoum is inspired by a post by Frank of A Frank Angle. I borrowed my first line from him. Thanks, Frank!

 

At the horizon, known and unknown meet,

this liminal space between sky and sea

when the sun dips down, and night not complete

where dreams are unfettered and left to dance free–

 

this liminal space between sky and sea,

in this place, future and past together dwell,

while explorers and dreamers look here with uncertainty,

they still seek this place–and fall under its spell.

 

In this place, future and past together dwell,

some think deep thoughts here, some none at all,

they still seek this place—and fall under its spell

as they watch ships vanish, beyond shouts and call.

 

Can we know what fate foretells here–

when the sun dips down, and night not complete?

Do we fear, question, or wait for what appears?

Certain only, at the horizon, known and unknown meet.

John Frederick Kensett, “Sunset on the Sea,” [CC0], via Wikimedia Commons

 

 

 

 

 

 

 

 

I’m off prompt for NaPoWriMo.  I’m also linking this to dVerse Open Link Night.

 

The Moon’s Smile: Haibun

Another moon poem. This time for dVerse, where Victoria writes, “For our Haibun prompt today, I have chosen the Japanese Kigo, Fuyu No Tsuki—winter moon.”

 

On New Year’s Eve, I’m feeling stressed, tired, and soul-weary. From my kitchen window, I see the moon rising in the east. It’s almost as brilliant as the pale winter sun, and the sky around it also glows, sapphire blue. I stop to gaze at her–and spellbound, there’s a pause between worlds. For a brief moment, it’s just the moon and me.

In the glimmer of Christmas lights, we eat homemade pizza, drink ruby-red wine, and binge watch a Netflix show. When I wake on New Year’s Day, the day is bitterly cold and diamond-hard, but there is the moon, now lighting the western sky. She smiles at me, and I understand her presence is a New Year’s gift.

 

Ensorcelling moon–

glowing winter light is grace

smiling in the dark