In Memoriam: for the Unknown Soldier at Red Bank Battlefield

As the crow flies— over the Delaware River©️Merril D. Smith 2021

In Memoriam: for the Unknown Soldiers at Red Bank Battlefield

August,
is a broad river expanse
where time ripples and bends
under a laden, leaded sky

the morning moon, her song a sigh
floats on heron’s wings to flutter
by the gulls and geese,
who wonder what and why.

Now coal-black crows with peacock flair
and gangster elan strut across the grass,
summer is almost past they call–
but not quite yet whispers the butterfly,

the rabbits hop and turkeys trot
and deer with smooth grace retrace
past seasons. The river flows on,
an unanswered question, a memory, a lullaby

for unsettled spirits amidst brittle relics
where they once cried and died,

under an autumn sky,
they drift above ground settling bone-full and dry.

Early Morning, Red Bank Battlefield

I took a poem I had written last August and started revising it. It then demanded that I turn it into a poem to honor the remains of the Hessian soldiers found this summer at Red Bank Battlefield where I walk almost every day. The official announcement was made this past Tuesday.

I like that in the various reports I’ve read that historian Jennifer Janofsky and archeologist Wade Catts have emphasized not only that this is an exciting and unexpected discovery, but that it also emphasizes the brutality of war. They hope to be able to identify some of the soldiers from their remains, and they will be reburied. So, I have more River Ghosts.

Here’s the link to the website about the project.

I’m sharing this with dVerse Open Link Night.

Hold These Truths

Monday Morning Musings:

Hold These Truths

Early Morning Light on the Delaware River

“Legacy, what is a legacy?
It’s planting seeds in a garden you never get to see”
From Lin-Manuel Miranda, “The World Was Wide Enough,” Hamilton

Hold these truths,
make a declaration
to secure light and rights—
for all

recall the whispers of freedom,
the shots—and the deaths–
repression, hope, freedom
cycle over and again—we’re here
on the precipice, the earth beneath crumbling. . .

Crow in Morning Light

listen to the crows,
ancient wisdom carried from shadowed time
to glowing dawns of robin song

Early Morning Light, Shadow, River, and Birds

Now as berries ripen under a blue sky,
hold fast the simple joys, sunshine and love,
cake and cats,

drink some wine–
the storms will come—rain, snow, wind–
but so will spring, each one full of if,
a flower of possibility waiting to bloom.

Today is the Fourth of July, Independence Day, the day the Declaration of Independence was published. (It was actually signed on 2 July.) In this document, the thirteen colonies declared independence from Great Britain. Through the Revolution and post war period, America was a confederation of states. Our United States came with the Constitution, written in 1787. This is the document that set up our branches of government and lays out our rights and freedoms—some in the original document and Bill of Rights (the first ten amendments), and its subsequent amendments. A minority of reactionaries are trying to destroy our democracy, aided by a rogue and reactionary Supreme Court. The Fourth of July feels very different this year—like drinking a toast on the Titanic after it’s hit the iceberg. We need to rescue ourselves—every vote in November matters.

In need of escapism this week, we finished The Umbrella Academy and Stranger Things ( a title that sounds like a warning of what’s to come.). We also picked blueberries.

No Answers: Prosery

Edward Hopper, “Automat,” 1927

We heard about D-Day, of course, we heard. It was the beginning of the end, though we didn’t know it then—not for certain. We didn’t know if it was permanent. I was cut-off from information like everyone else. In the ensuring months of battle, I faced uncertainty—and fear. And then, finally, I was safe in body, if not in mind. I still didn’t know if I’d been betrayed. What was I supposed to do with that? Finally an end to war, yet amidst the cheering for liberation, there was still devastation and loss. What were we to do with our ghosts? What were we to do with starvation, the many who traded sex with strapping American soldiers for a meal? These are the things they don’t tell us. I went home, but the past is a hunter, stalking us, taking us unaware.

For dVerse Prosery, Lisa has asked us to this line:

“These are the things they don’t tell us.”
– Girl Du Jour, from Notes on Uvalde

She has posted the poem on the prompt page. I’ve used the line to continue my Prosery spy series. Today, June 6, 2022, is the 78th anniversary of D-Day, when Allied forces landed in Normandy, in the invasion that led to the end of the Nazi occupation of France. This year, 98-year-old American veteran Charles Shay said:

“Ukraine is a very sad situation. I feel sorry for the people there and I don’t know why this war had to come, but I think the human beings like to, I think they like to fight. I don’t know,” he said. “In 1944, I landed on these beaches and we thought we’d bring peace to the world. But it’s not possible.”

Light a Candle (Again)

“It happened, therefore it can happen again: this is the core of what we have to say. It can happen, and it can happen everywhere.”

–Primo Levi (1986)

Light a candle–
six million, if you can,
resplendent glow,
for those who say they didn’t know,

for those who didn’t, do not see
what once was, what could be,
who overlooked the ash-filled air,
who still ignore the pleading cries
and do not hear the ghostly sighs
that float over the walls of hate,

light a candle
for those who suffered then—
and now

and when
the hate-filled cries ignite the night
don’t pretend you led a fight,

or that you were righteous and true,
or even had a clue

as you embrace soundbite and meme
to boost your fragile self-esteem,

but see? The ghost numbers grow everyday–
and they never ever go away.

Today, January 27, is Holocaust Remembrance Day. I revised a poem I wrote a few years ago and re-posted last year. Authoritarianism and anti-semitism are both rising. Last year, followers of the former president tried to overthrow our government. There is so much ignorance–and hate–and people who embrace crackpot theories. We are living in a very scary time.

Glancing Back

Jean-Baptiste Camille Corot, The Muse History, Public domain, via Wikimedia Commons

Coy Clio,
with half-smile and backward glance,
her stance unsecured–
she balances time and chance.
Reflected in the glass,
her image wavers, not quite straight,
always moving, she knocks down Fate.
She leaves her scent in dusty tombs,
and book-filled rooms, and there within
a musty cell, a faded ledger in a bin.
There are cries from eras long forgotten,
she sighs through silk and ships of cotton,
whispers through graveyards and dockets, ill-gotten
gains and weathered remains of centuries, unexplained.
Ask her for enlightenment, not for glory,
still she replies there are many untold stories–
look at the monuments, partly erased, salted
and wind-kissed, the lines spaced
unevenly in past’s embrace.
And here, a doll, a letter, a locket
that falls from a red-splattered pocket—
love and connections, a mystery,
blood-drenched fields, the history.

This is in response to Ingrid’s dVerse prompt this week to write a poem invoking a muse. Some of you know I have a history book chapter that I need to finish writing (like now), so perhaps a poem about Clio, the muse of history will help. I’m posting this for today’s dVerse Live Open Link Night.

Philadelphia, 1793: So Much Left Unsaid, NaPoWriMo, Day 8

I want to say, Dear Mother, do not fret
I am gone, and all is set,
you think, I know, our Father’s will and rule–
but, oh I wish I lived to see my babies go to school!
And all the sisters out at play—
instead of here. The way

(my body disappeared
I seem to float without it.)

I remember now, how yellow turned my skin and eyes,
and mournful were my sighs and cries
from aching head–
and then overspread
the blackest bile from within my bowels
over all the sheets and towels. . .

and yet you tended me
till I ceased to be

me.

I no longer feel the pain.
But Mother, I wish I remained.

For the NaPoWriMo prompt today to “write your own poem in the form of a monologue delivered by someone who is dead” and for the dVerse prompt where Grace asks us to write about the body. I wasn’t going to do either prompt, but then this came to me. It’s based on letters I read that were written during the yellow fever epidemic in Philadelphia in 1793. Many fled the city, but over 5,000 people died. The disease is transmitted by mosquitoes, so the epidemic subsided once the weather cooled. I remember sitting in the Quaker Archives at Haverford College reading one letter and nearly bursting into tears.

Field, Memory, Magic: The Traitors’ Gate

Traitors’ Gate, Andrew Wood, Wikipedia Commons



They sail, a slow journey from glory to despair,
above them, vacant-eyed heads grin
in recognition of what was and what shall be–memories

carried as if by magic through the green English fields
where the ghosts wander,

waiting for history to be rewritten in each new reign–
queen to traitor, rebel to hero, recusant to saint.

This is a poem for Sarah’s dVerse prompt. She asks us to choose a set of three words from a list that she has posted. The words correspond to a site in London. I chose “field memory magic,” which if I understand correctly corresponds to the Traitors’ Gate at the Tower of London. The three words are part of larger project, which you can read about on the dVerse page.

Hate, Love, Hate, Love

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Blue Mood with Pegasus clouds racing across the sky. Delaware River at Red Bank Battlefield, National Park, NJ ©️ Merril D. Smith 2020

Monday Morning Musings:

“Your voices matter, your dreams matter, your lives matter. Be the roses that grow in the concrete.” –Angie Thomas, The Hate U Give

“There’s a saying in Hebrew, ‘No matter how dark the tapestry God weaves for us, there’s always a thread of grace.”—Mary Doria Russell, A Thread of Grace

 

Glowing ships on the aquamarine sea,

Moon and Venus shine their beacons–

 

Farewell night!

The moon smiles a crooked grin,

 

and Venus titters

such fools, these mortals be.

 

***

 

I hate everyone, she says to me.

Well, not you—not my family—

 

and I know what she means, because I feel it, too,

the constant barrage of evil and ignorance,

 

people who refuse to wear masks,

who spread misinformation,

 

and insist they’re not racist while sharing racist posts—

the people, who like black holes, swallow the light,

 

but not all of it.

 

Sigh. Breathe. Walk. Begin again—

 

as each day does–

the sun rises, even if we don’t see it

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shining over the horizon

waking the world

 

again and again,

though some never awaken

 

to see the world around them,

its beauty

 

flowing on a river of hope

reflected over and over

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Delaware River at Red Bank Battlefield, National Park, NJ. ©️Merril D. Smith 2020

a dream

of what was and what could be.

 

Some of the things I’ve seen on my morning walks this week:

These mushrooms that look like umbrellas set up for fairies.

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Deer and red-tailed hawks this morning.

 

On Friday nights, we get together virtually with our children and their spouses. We light the Sabbath candles and share the things that we’re grateful for.

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Saturday night homemade pizza and movie night

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Lots of baking

Merril’s Movie Club: We watched The Hate U Give. (Amazon Prime with an additional slight fee, but I believe it’s on other streaming platforms.) We both thought it was a very good movie, and I highly recommend it. It’s based on a YA novel of the same name. It gets very intense, but in a thoughtful, nuanced way. Here’s a review in The New Yorker. We finished Season 3 of Bordertown, which I mentioned last week. I’m happy that apparently Season 4 is in the works.

I’m rereading Mary Doria Russell’s A Thread of Grace, a historical novel set in WWII Italy. She’s an author who does her research, but also tells a good story with captivating characters. Another story that seems timely when read now.

And this–unconditional love.

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The Color of Truth

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Low tide, blue mood. Delaware River at Red Bank Battlefield ©️Merril D. Smith 2020

Monday Morning  Afternoon Musings:

The fiddler’s notes float

through the village as he stands,

one foot on the roof, balancing

life and death– all the celebrations between,

colored by love and loss–

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Marc Chagall, “The Fiddler,” 1912

 

blue moon, blood moon, silver moon

sighs and whispers

in a thousand tongues, but

a million ears do not listen–

her voice joins the fiddle notes

 

that hum in the background—

do you hear it?

Crow calls a warning,

heed the past,

beware the future

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Crow caws from the chimney of the Whithall House, Red Bank Battlefield, National Park, NJ

 

the red sky of morning

hinting of the storm ahead

the indigo and grey-shadowed ripples

lighten to azure as the sun rises—

colored by time, tides, and perception,

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Delaware River at Red Bank Battlefield

our expectations of what is real,

changed not always by what is there,

but what we are told–

there is no plague, there is no famine,

the leader loves his people

 

(like a wolf loves a lamb), perhaps

 I make connections

between what is, what was, and

what might be

when there is no connection—

 

the sky is simply red,

like the summer flowers

an intensity of the dying season—

verdant woods, vibrant blooms

against the bluest sky,

 

black birds flock in murmurations

telling the truth

that life goes on

in cycles of pain, gain,

the black and blue that fades, the blood red

 

we drink, fruit of the vine

sun-ripened, bursting with intensity

we listen, laugh, love

the ones we’re with, love others from afar

in all the colors we see

 

beauty, life

buzzing

drifting

soaring high

with feathered hope, even if it falls,

 

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we may see the reflection–

upside-down the world still glows

we swim toward the light

float amid clouds,

watch azure turn violet, indigo, midnight blue,

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Cloud Reflections on the Delaware River at West Deptford, NJ ©️Merril D. Smith 2020

 

 

and then, and still,

an apricot glow appears above the horizon,

a blush of pink spreads across the east,

our pale blue dot rolls on,

the colors of truth, immutable, forever for this world.

 

Merril’s Movie Club: We watched Mr. Jones (2019). I don’t think this one made it to theaters near us before the pandemic; we watched it on Amazon Prime (slight fee). It’s probably available on other streaming platforms, as well. My husband and I both enjoyed this one very much. It stars James Norton as Welsh journalist Gareth Jones, who tried to tell the world about Stalin in the 1930s, even as others were covering it up. Supposedly, he and his story were the inspiration for George Orwell’s Animal Farm, though that doesn’t really add much to the story.

This week has been packed with wild stories by you-know-who and his followers. Demon sex, aliens, and “thoughts” of rescheduling the election. . . If this took place in a movie, it would be considered too ridiculous.

The Oracle and the world seem full of color right now, but I find connections in odd places. Before watching the movie, I listened to an interview with Welsh actor Matthew Rhys. I don’t have HBO, where he is now starring in a new version of Perry Mason, but I loved The Americans. On that show, he played a Russian spy posing as an American. I was always struck by the extra layer of having a Welsh actor in the role, and he did mention that in the interview. So, for me, there were connections in this interview and movie about Welsh men, truth, lies, deception, Russia, and governments.

Our younger daughter—sommelier in training—did a virtual wine tasting with us on Friday night. Her husband was there for the beginning, but was taking care of pets during the screen shot.