First Snow

Monday Morning Musings:

“Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in.”
--Leonard Cohen, Anthem

Of spring weather with the sun low in the winter sky
It’s off-kilter, my friend remarks. Disconcerting, I say.
Like this upside-down world of lies embraced, why
I don’t know. Strength in ignorance persuades—
the authoritarian’s way.

****
Now first snow before daylight,
perfect white as dawn kisses night
the pristine blanket yet untouched--
unanswered questions, many and so much

hate and love. Fingers curled within a glove,
hands balled into fist. This is mine, some insist,
with mired minds and clouded brains—
perfect offerings, rotted remains

in nature cycles, vulture-fed, cycles birth, the dead
live within 
our hearts 
the bells we still can ring

sounding louder in the fog
we can’t know what the future brings,
it flows, a river carrying us and everything
and birds sing,


Bright glow in the fog
Afternoon light over the Delaware River
Bagpiper at Red Bank Battlefield
sensing the light
reflections of past, the infinite,
the now—
first snow, first light
for a moment, all is right,

ring in the new year
built on hope, wet with tears,
ring the cracked bell, toll with cheer,
the circling of our earth, and we are still here.


WordPress seems to be up to more tricks. It won’t let me copy and paste the way I usually do it. UGH!

We’ve had strangely warm weather here, along with fog and rain. This morning we’re getting snow. I’ve taken some poetic license, as it doesn’t seem to be snowing anymore, and it’s not really covering the ground. Meanwhile, COVID is still raging, and the deniers are still denying. This Thursday, January 6 will be the one-year anniversary of the attempted overthrow of the US government. Some people deny that, too, despite all the evidence, which I find truly terrifying. The celebration of ignorance, and the insistence on sharing and spreading lies is appalling.

Stepping down from my soapbox. We celebrated New Year’s Eve with Chinese food, as we’ve done for decades. Then, we had a family Zoom session, while we drank champagne. On New Year’s Day, we ate Cinnabons—another tradition.

I enjoyed a few days of not doing much, and I’m not looking forward to getting back to work today. 

We watched four new movies:
Don’t Look Up (Netflix)
The Lost Daughter (Netflix)
The Last Duel (Amazon Prime, rental)
Who You Think I Am (Amazon Prime)

My husband and I liked all of them, and they all have great acting, but we both thought The Lost Daughter was our overall “best picture” of the group. I think Olivia Coleman and Jessie Buckley are always excellent, and Jodie Comer, in the last duel, is also wonderful. 

Oh, it’s snowing again!

All the Dreams Fly Like Birds

Monday Morning Musings:

“Sueñito, it means ‘little dream.’”
–In the Heights

Three Crows on an Uprooted tree, Delaware River at Red Bank Battlefield. ©️Merril D. Smith, 2021

Three crows sit on an uprooted tree,
gods, fate, or destiny?
Day to night, birth to death, changes come—
love and regrets,

of words unspoken, of dreams unachieved,

but in the balance of all things–

“Like a Bird on a Wire.” (Leonard Cohen)

seeds are planted, and eggs hatched,
in fertile soil, with care and light,
life blooms, the cycle resumes,

seasons spun in revolutions
of the earth, and thoughts that spark like stars,
the universe of the mind, our Milky Way inside

in glittering array. Sometimes enlightenment
comes our way,

dream-born, though dreams evolve
with the dancing of your heart and the echoes
of the stars,

the fire in your eyes
and reflections from the sky,
the whys and when return again
revolving into something new—

the evolution of dreams come true.

Between storms. Early Morning, the Delaware River at Red Bank Battlefield. ©️Merril D. Smith, 2021

We are dust from the stars,
and rise from the sea,
we wing and dive–fate or fait accompli?
Ever-soaring dreams blowing
through earth, sky, and blue-water flowing.

It is definitely summer in southern NJ! Heat, humidity, storms—and then an occasional beautiful day. We went out once this week for a trivia night at a winery. We were not allowed to have our phones out during the rounds, so I only got this one photo.

Trivia Night at Sharrott Winery

Merril’s Movie Club—We watched two movies this week, and I would watch both of them again. One you’ve probably heard of, and one you probably have not heard about. Our friends invited us to a movie night at their house, so we could watch In the Heights. (We don’t have HBO, and they do. It’s also playing in theaters.) You may or may not know that I love musicals, and this one combines Lin Manual Miranda’s songs with old-fashioned movie musical choreography and vision. Dreams (and immigrants and DREAMers) is a recurring theme in the movie. All the actors are wonderful. My friend, Pat (the one in charge of rainbows) had a bounty of farm-fresh summer vegetables and made a grilled a vegetable lasagna. I made brownies because. . .well, chocolate.

My husband and I also saw Undine, the most recent movie by German director Christian Petzold. (Rental through Amazon.) It stars the two leads from his previous movie, Transit, which my husband and I both really enjoyed. We also both liked this one, though maybe not quite as much. The movie is a sort of modern re-telling of the ancient myth of the water nymph, Undine. My husband, who had never heard of the legend of Undine, saw the movie as a metaphor of Berlin. So, it’s clearly not a movie for people who like straight-forward stories. It’s dreamy and has a beautiful score (mainly the adagio from Bach’s Concerto in D Minor, BWV 974), but also “Stayin Alive), and we had a great discussion about it afterwards.

We had some wine and cheese to nibble on while we watched the movie.

Movie Watching Companion

Dance

Monday Morning Musings:

“And may the spirit of this song

May it rise up pure and free

May it be a shield for you

A shield against the enemy”

–Leonard Cohen, “Lover, Lover, Lover”

 

“Dance me to the wedding now, dance me on and on

Dance me very tenderly and dance me very long

We’re both of us beneath our love, we’re both of us above

Dance me to the end of love

Dance me to the end of love”

–Leonard Cohen, “Dance Me to the End of Love”

 

My absent daughter

draws the golden peacock

but forgets the fallen feather

can also be a quill

to write the words that dance

upon the page of time,

and from love and grief

and longing

the phrases soar in endless flight–

to bear witness of love and loss

in song to spread the light

***

In this week

of lies and revelation

we go about our lives

without hesitation

because there are deadlines

and care

for those we love

and responsibility

to share—

but oh, the sky,

the clouds

the air

that shimmers

and glimmers

on dew drops

in the morning light

that sight–

BDAA55B7-6795-43E4-BEBA-5845A21C4BF6

and the honk of geese

in victory flight

IMG_4444

and so,

we take a break

forget the cake

I still must bake

 

reflect

upon each passing sight

on this autumn day

the sun is bright

and summer-like

but inside cooler

as the lights dim

and the show begins

the dancers strong

and full of grace

without a trace

of doubt, fluid lines

muscle and bone

move together, alone

upon the stage

they dance

homage to poetic phrase

in each turn or raise

of arm and leg

and yes, I say

it was worth it to pay

though now

I’m even more

behind

IMG_4479

I see love–

coming and going

and isn’t that always the way?

spring to summer and fall

and before long

winter will come

and will we dance then at all?

Yes, I think

we will add layers

to layers

and though our hair

will turn greyer

still we’ll laugh

and dance, press

on

 

my sister-niece says

I love mom’s belly laugh,

and we all agree

a bright spot

in a gloomy sea

that seems endless–

a beacon, a buoy

we embrace,

when she and the world is screwy.

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And though there are fewer

at our holiday table

and we miss those unable

to be with us,

we laugh and talk

and drink our wine

dip apples in honey–

that boy is so funny

the way he loves my challah—

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we eat the meal

and here’s the deal—

time moves on

but our traditions remain

so, there’s brisket and kugel

for the year to be sweet, not dull–

bright gold of pumpkin soup

and before long, dessert—

 

in and endless loop

the seasons pass

and years dance on

from dusk to dawn

in saraband or waltz

sorrow, love–

with just a bit of schmaltz

 

we say our goodbyes

and sigh

(though the men roll their eyes)

we need that family compound

so we can all come around

whenever need be.

That could be

easier for all of us, you see

 

time will tell

somehow, dwell

on the here and now,

we have each other

and sleepy cats—

there is that.

 

We clean up,

put away each dish

I pause, wish

to dance to the end

of light

as it bends

refracts

and twirls

to begin again.

 

Dream–

the spirit of this song.

IMG_4440

 

Last night was the start of Rosh Hashanah. Wishing all of you a very sweet year!

One of my daughters posted her drawing of a golden peacock from Jewish tradition and a message about what it means to her. You can see her Instagram post here. 

We saw Les Ballets Jazz de Montréal perform Dance Me, “an exclusive creation inspired by the rich and profound work of Montreal-based poet, artist, and songwriter, Leonard Cohen” (from the program notes). You can see some excerpts here.

 

 

 

 

 

 

 

 

 

 

Resting Before Flight: Shadorma Challenge

This is for  the November Shadorma Challenge that Eliot of Along the Interstice is doing. This is Day 18. I am participating sporadically.

 

Birds on a wire

like clouds gathering

for a storm,

or perhaps

like thoughts coming together

resting before flight

 

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I missed the murmuration, but got this quick shot while stopped at a traffic light the other day.

 

Every time I see a bird on a wire, I think of Leonard Cohen’s song. Here’s a live version.

Sweetness Restored

Monday Morning Musings:

 

“I know you feel it

The sweetness restored”

From Leonard Cohen, “Leaving the Table”

 

A ship sails across an ocean

crashes, in furious motion,

its treasures sink in the deep

as though asleep

while centuries creep

a chunk of bronze, fragment of the past

did it predict this future, forecast

another ship sailing through a sea of stars

carrying our past to the future

suturing time with invisible stitches?

Beings we will never know

blow forward and back

ghosts drift from stardust

near and far, they must

I think, walk beside us,

(that gust)

whispering in the wind

bringing horror or bringing joy,

bringing completeness

restoring the sweetness

of what has been lost

 

In the year of the dotard

when real is thought fake

(so much at stake)

when false is declared to be true

and people go about life

(without a clue)

when Mother Earth vents her fury on land and sea

and like a banshee

the winds wail and roar

and as the darkness gathers and soars

and millions sit without a light

in the dark, body and souls

between the poles

of north and south

they go without.

When all this takes place

here

in this space

we sit at the table

thankful we are able

with challah and wine

we dine

in honey dip our apple

watch the sun and shadows dapple

the walls,

as evening falls

here in this moment,

here in this place

the sweetness restored

 

We watch a movie about a dancer

a child who dances in the Russian snow

aglow with the joy of moving, doing, being

receiving the best training

(her parents work hard)

and she does, too

through pain of body and soul

is it worth it all?

and she struggles and questions—

technique or feeling?

finding it unappealing

tired of dancing others’ creations

sensations, ideation

she moves in a duet by the water

to find that child again,

form and feeling

to find the sweetness restored

 

My husband and I walk

we talk about the film we’ve seen

watch the street scenes

a pretty window and door

an urban street with more

we see nature’s destruction

turned to art

despite the ignorance and the hate

we humans love

we need to create

art, poetry, and stories

of the fantastic and the real–

we feel–

the family behind us

answering their son’s funny questions

wondering will they be troublemakers

and we are partakers in this bit

strangers meeting on the street

and then we go our separate ways,

stroll a while

but we smile

the family’s moment struck a chord

the sweetness restored.

 

Daughter and I go to a wine festival

the autumn day disguised as summer

We talk and taste wine

and we are feeling fine

IMG_6929

buy bracelets with literary themes

IMG_6934

of hopes and dreams

the sweetness of wine and books

of strangers looks

(okay, perhaps not all)

we people watch as we stand in line

behind the drunk couple

all entwined

the man with his roving hands

the woman who might fall as she stands

our eyes meet

standing there in the heat

no need to say out loud what we are thinking

mother-daughter interlinking thoughts

we talk of teaching

of The Color Purple and Langston Hughes

we talk of friends and we shmooze

if days could be like this

without dotards to lead

without a world full of greed

without hurricanes and earthquakes

without racism and hate—

is it too late?

if we could wrap up and hoard

all the love, the light, make the world bright

would we feel it,

the sweetness restored?

 

We saw the movie, Polina. Trailer here.

We went to the Heritage Vineyards Wine Festival.

I’m kind of fascinated by the antikythera mechanism.

Here is a beautiful video for Leonard Cohen’s “Leaving the Table.” This song is from his last album, made just before he died.

 

 

 

 

Work, Wine, and Wonder

Monday Morning Musings:

“Seven to eleven is a huge chunk of life, full of dulling and forgetting. It is fabled that we slowly lose the gift of speech with animals, that birds no longer visit our windowsills to converse. As our eyes grow accustomed to sight they armor themselves against wonder.”

–Leonard Cohen, The Favorite Game (1963)

 

“Wine comes in at the mouth

And love comes in at the eye;

That’s all we shall know for truth

Before we grow old and die.

I lift the glass to my mouth

I look at you, and I sigh.”

William Butler Yeats, “A Drinking Song”

 

I spend days writing,

then sighting and fighting

others’ dreadful prose,

I dream then,

want again,

wonder and poetry–

a moonship sleeps through time

dreaming of a glowing goddess

cool, with diamond eyes,

from her starry throne,

she lets a storm moan

and I,

seeing lights from the sky.

watch as mist sprays

plays melodies on garden stones

dances in the light,

a thousand fairies

diamond-eyed.

 

I spend days writing,

then sighting and fighting

more dreadful prose,

I watch a morning sparkle and gleam

and dream of conversing with the birds,

how it would be to sing their songs,

flowing thoughts and soaring words?

I wonder of what my slumbering cats dream

(perhaps nothing is what it seems).

Do cats and dogs, do cows

as they graze under the boughs

understand the birds’ songs

moo in harmony, sing along?

 

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I spend days writing,

then sighting and fighting–

again, that dreadful prose!

And I wonder

why is there such hate

that negates

joy, hope, and reason

that seasons

life with tears and fears?

Why men would rape out of boredom

(Boredom!)

and why a woman,

or a man,

need to be taught a lesson

stressing

what?

What lesson has been taught?

That someone has been caught or bought?

that life is fraught,

so do not dream of what you could be, or brought

about with books and words and second thoughts?

I wonder who could hurt a child,

can their minds ever be reconciled—

the dreadful deeds and daily doings,

the demons in their souls?

no controls, no goals

lives brutal and bleak

do, die, never speak.

Do they never dream of a goddess glowing

her tresses silver and flowing,

or wonder how to converse with a bird?

heard their songs in morning air

happy to be alive, aware?

Where does the wonder go?

Does anybody know?

 

I spend days writing,

then sighting and fighting–

yes, more of that dreadful prose,

correct the errors, insert a phrase

(my eyes glaze)

then I wonder—

isn’t it time for some wine?

so we go, sit near grapes in the sunshine,

enjoy the beauty of the day

stay

as chatter and music play

in waves around us.

We drink wine,

red and luscious

(no, don’t rush this)

loving it,

loving you

I lift the glass to my mouth

I look at you, and I sigh.

wonder how and why we found each other

created two astonishing daughters

enjoyed days of blues skies and laughing waters,

realize I have found the music and the poetry

in life, in you, in birds, and trees

And though I cannot sing with birds,

I can wonder, dream, and write these words.

 

 

The Light Shines, Over and Over

sunlight_throug_palisades

By LacZ (Own work), “Sunlight through Pallisades,” [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons

“Ring the bells that still can ring

Forget your perfect offering

There is a crack in everything

That’s how the light gets in.”

–Leonard Cohen, “Anthem”

 

We pause now to gather strength

to fight for justice

over and over

to strive for courage, hope

lost and then regained

over and over

change happens for good, for bad

thoughts and actions

over and over

two steps forward, one step back

over and over

through the ages

we find the crack

to let the light shine in.

 

 

I wrote this poem yesterday afternoon before I heard of Leonard Cohen’s death. I guess it was of those strange coincidences in life that I had been thinking about him.

This poem is for Secret Keeper’s Writing Challenge.

The prompt words were: Pause/Over/Strength/Age/Change

 

A Wish: Microfiction

 

lovers_1928

By Felix Nussbaum, “Lovers,” [Public domain], via Wikimedia Commons

 

 “Dance me to your beauty with a burning violin

Dance me through the panic till I’m gathered safely in

Touch me with your naked hand or touch me with your glove

Dance me to the end of love.”

–Leonard Cohen, “Dance Me to the End of Love”

 

Felix and Miriam hurried to reach the new hiding place along the coast. Felix had lost count of the number of places in which they’d hidden. Was it four? Five? In each, he had painted or sketched with whatever materials he could find. The urge to create was powerful.

Although most waterways were heavily fortified, Felix had been told the patrols in this rocky area were infrequent. Still, he wished the night was not so clear.

“I could swim to freedom from here, even with the rocks and waves,” said Miriam. She was a champion swimmer before war and restrictions intervened.

“You could, my little fish,” he replied, as he looked around. Something about the deserted quay did not feel right to Felix. He had always trusted his instincts.

“You hide here,” he told her. “I have a bad feeling about this place.  If it’s OK. I’ll let you know. If it’s a trap, you must run for freedom.”

“But I can’t leave you,” Miriam replied.

“You must. For the sake of our child.” He put his hand on her belly.

She nodded. “First though, we must make a wish on that bright star.”

They held hands and closed their eyes. Then Felix clutched her, kissed her, and left.

He entered the deserted building. In the seconds before the Germans kicked in the door, he heard a faint splash in the distance. He had a good feeling that his wish had come true, and Miriam had escaped. He smiled as they beat him, knowing in his soul, that at least one of his creations would survive.

 

This is in response to Jane Dougherty’s Microfiction Challenge.

The prompt was the painting above by Felix Nussbaum. His family were German Jews who had been proud Germans. His father was a WWI veteran. Felix and his wife, Felka, also an artist, hid in several locations before they were discovered and sent to concentration camps. Felix Nussbaum’s entire family was murdered at Auschwitz. The Leonard Cohen song played in my mind with this painting.